MY GURU

Anantharama Iyer was his name. He entered into our lives - mine and my two older sisters as our tuition master, when we were 8, 10, 12 respectively. Our father came to know about our poor performance in the term exam of the school year. So this person became our tuition master.

He was formidable to look at. Dressed in a 'panchakacham veshti' and an 'angavastram' to cover his bare torso, he had a 'kudumi' (the way the purohits of today have their hair styled and most Brahmins of those bygone days). He had three fingers of 'vibhoothi' (sacred ash) pattern on his forehead, with a sandal paste 'pottu' in the centre - and always a two days growth of beard on his face. He was tall and hefty, with broad shoulders and a broader waist. Just looking at him gave us the shivers.

He was a teacher in the Model School for Boys, teaching Mathematics and Sanskrit. He was good in these two subjects. He soon found out that though we had nothing to do with Sanskrit, that we had no interest in Maths also. He changed all that very soon.

Every evening by the time we came back from school, we found him waiting for us. There would not be enough time for us to change our clothes, or take our coffee and tiffin. Coming home before us, we found out in due course that he would have had his share of coffee and tiffin at our place, for he came here straight from school to teach us. By the time we three sat in front of him with our home work, almost everyday he would start napping, snoring loudly. This noise used to wake him up with a start. Then he would remember where he was and what he was supposed to do. So by turn, he would look into our notebooks, find the mistakes we had made, explain the problem, and make us do the work again, while he went back to sleep. If ever he found out that we were making the same mistake again, well, our thighs would be turning red and blue in colour, because of his hard pinching. It was terrible.

Once our tuition time was over it gave us utmost pain and at the same time pleasure in comparing the marks on our thighs and finding out whose was worse. We never had the guts to complain about this to our parents, for we knew that we wouldn’t get any open sympathy from our mother.

This master of ours had endeared himself to our parents by conversing with them about their favourite topics. My mother’s weakness for pooja, her commitment to certain ideas and beliefs prompted him to suggest to her to conduct 'Bhagavathi Sevai' every month. He added that if this pooja was conducted every month on my father’s star, it would benefit him professionally and personally. My mother who always had my father’s welfare at heart agreed to this. So from that month onwards the 'Bhagavathi Sevai' was conducted for the next so many years with the tuition master turned into the vadhyar (priest) to conduct the pooja. And my mother had the satisfied feeling that the Devi’s blessings were showered on us.

I had nothing against this, but being the youngest , he roped me in to help me with drawing of the design for the base of the padmam, with different coloured powders all made at home, and very organic. It was a very intricate pattern. So every month for many years to follow, I was the one to assist him in this. And he in turn would bless me with a prosperous life with a good husband.

With my father, this master of mine had another trump. Knowing that my father was suffering from back pain, he suggested ‘sooriya namaskaram’. He became my father’s physical instructor and initiated him into it. By 6 am everyday he would be at our place for that purpose, and see that my father did the 'sooriya namaskaram' properly. Well, this did help my father to get rid of his back pain, and at the same time helped the tuition master to get into my father’s good books.

With all his family commitments, he did not ignore his daily tasks as a tuition master. He made us learn the multiplication tables up to 16 by heart. He made us do sums mentally and give him the answer swiftly. So this helped us a lot. He had a way in handling all subjects. I some of the lessons he taught me which made life easier for me in school. When my turn came to help my children with the home work, I automatically followed his method, minus the pinching – not fully minus, a little tap here and a minute pinch there, helped both the teacher and the student.

My tuition master was a great Ayyappan devotee. I imbibed this kind of Ayyappan devotion from him. He used to go to Sabarimala every year for more than 25 years, walking all the way from his home in Trivandrum, all the way to Sabarimalai, a long, long way. And walked back, after offering prayers. It used to take more than a month for this. And the forests were infested with wild elephants and tigers. Every year after his return form Sabari malai he had so many thrilling and frightening stories to tell us. All this only increased my devotion to Swami Ayyappan.

The last time I saw the Master was about 40 years ago. Yet I remember him very well. And today I write this with tears in my eyes and pranams in my mind. He was a great man in his own way. Long live his ilk.

NAVARATHRI . . . .

ALSO KNOWN AS BOMMAI KOLU. . . .

Maiji's Kolu in 1978

. . . .is enjoyed by women and girls all over South India. Now is the time of the year to celebrate the bommai kolu (dolls arrangement). I went to see the bommais (dolls) on sale near Sri Kapali Temple, and was happy to see so many of them.

Click on the picture for an enlarged view

My first recollection of this nine-day festival is that a kolu would appear overnight in our pooja room like magic. Arranged on nine steps covered with a white cloth, the images of all the gods and goddesses, along with the family’s collection of curios, arranged artistically under a canopy of white cloth, edged with red and green frilled border, and decorated with rainbow coloured paper garlands, it would seem to us children like a magic show.

In a single night after we children were sent to bed, my mother with the help of my elder brother and sisters would have the show ready. For the rest of the 355 days these dolls and everything else were stored in my mother’s tallboys in my mother’s store room. During Navarathri in the evenings, my sister and I, dressed in our best pavadai uduppu (long skirt and blouse) were sent to neigbouring houses to invite the womenfolk there to visit our kolu and accept manjal kumkumam (auspicious objects). In the homes where they had also arranged kolu, we would be welcomed, seated on a pattupai,(silken mat) asked to sing a song, and finally treated to the sundal and any sweet prepared as neivedhiyam (sacred offering to the gods), along with vetrilai pakku (betel leaves and nuts), coconuts, and blouse pieces as gifts. We used to feel like VIP s, when we returned home with our loot. All the while my mother too would be doing the same to visitors at our homes who would have come to invite us. Those ten days were really fun for me and I enjoyed them thoroughly.

When I got married and set up my own home in Delhi, I was astonished to find that kolu was non-existent in the north. Very few families belonging to the south, about four or five had kolu. When my eldest daughter was one year old, I started the kolu with a handful of bommais, typical Delhi made ones – I thus introduced the festival of kolu to my neighbours. These dolls were sold in readiness for Diwali festival pooja, performed to welcome prosperity.

My first kolu was a very small one with just two steps, two feet long and one foot wide. I enjoyed this, and my husband also encouraged me no end. From that kolu, in a period of twenty years, my kolu grew in size and shape, decorated with all the frills my mother had, and also admired by one and all. I am not boasting, but my kolus were well appreciated, and I enjoyed readying them.

Come September, I would start planning for kolu. Apart from the seven steps, I enjoyed having some side shows on the floor, all prepared and made at home with the help of my children. One year it would be a small town with a temple with four towers in the centre, small shops selling things one sees in the towns, around the temple walls; small lanes with bullock carts. Sometimes it would be a hill temple with fields around, and the rich crop nodding their heads, (the crops were grown using fenugreek seeds) and a park with children playing.

One year in Pondicherry I made a model of the whole length of Rajpath of New Delhi, from the Secretariat to Indian Gate, with the lawns, the fountains, and all the buildings including the Parliament House. Everything was hand made with cardboard. Another year it was the seafront of Pondicherry with the sea and the waves, and the buildings on the seashore. Another year I made the map of India, marked the main cities with important buildings, and people dressed in the costumes of the regions.

After coming back to Delhi, I created theme-based sideshows like the Fairy Tales and Nursery Rhymes.

A week before kolu started I would be ready with my plans and start to prepare the hills, the fields and parks with loose earth carried in from outside by the bucketful. The mud was moulded by hand into various objects like walls, shops, huts, with windows and doors. Ice cream cups painted red were used as pots for plants and shrubs. My father-in-law took pleasure in teasing me that the whole room was now a dump. At the same time he would be the first to admire all the handiwork I had done. And gradually we had collected a large number of bommais, all big and small from Trichy, Chingleput and Pondicherry, including the famous Bunrutti bommais.

Yesterday at the shops I found that everything I made then was available readymade – including plots of grass!

My centerpiece was a Lakshmi, about a foot tall, sitting on a lotus flower, six inches high and size of a dinner plate. Two elephants, big, white ones stood on either side of the Goddess with a garland each held in its trunk.

My last kolu was in 1978 in Delhi. Somehow with elders no more, and the older children leaving home, and us moving to a smaller house dampened my enthusiasm. My only regret now is I never thought of taking any photos of the kolu in Pondicherry – they were worth it. My consolation is that my last Kolu in 1979 was photographed and published in the Indian Express newspaper of New Delhi. The kolu had fewer dolls that year, only those that had escaped an attack by white ants, caused by a leaking pipe in the storeroom. I managed to salvage many by repainting and touching them up.

At the kolu in Trichy, with newly bought bommais, I had also made a park with a pond in which fish and swans were swimming and a stork waiting on the edge, as though ready to catch a fish. My first guest was the Collector’s wife. We were meeting for the first time, and both were nervous to start the conversation. Finally she asked me “Do you have a cook?” The question was put in Tamil with only the word cook in English. Before I could say No. my four year old, Viji, came out saying, “Yes, we have one, standing on one leg!” and pointed to the stork. Poor girl – she thought our visitor was asking for a stork. In Tamil the word for stork is ‘kokku’ which sounds like ‘cook’. Anyway that broke the ice and conversation flowed easily.

Now all my dolls are decorating the kolus of my friends and relatives, to whom I gave them away. Only two dolls, a Lakshmi and a Saraswathi, more than 50 years old, remain at Raji’s place – a reminder of the days gone by.